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The callback list goes up and it is Mc Kynleigh who gets sent home this week.The show opens up with a Bollywood number that is interesting but not one of my favorite group performances.Unlike most of their previous work, this did not work for me. Round two begins with Sasha and Alexander doing a jazz routine choreographed by Tyce Diorio. Despite utterly hating the song (That’s Life), they do a good job. Nigel: For a few weeks Sasha was carrying Alexander but not tonight. The story is about a girl who has been asleep for a hundred years and needs to be awoken by a prince. Jesse: I agree but your earlier dance was one of my favorites of the season. Jesse: Only you can prevent forest fires by not dancing in a forest like that. Mitch, sometimes I feel like I don’t know where you are facially. Can’t say anything to Caitlynn for fear of incriminating myself as a dirty old man. Sonyah: I’m just so grateful that this is the future of dance. Nigel: I’m excited to see split up the couples except you too. Who do you want sticking around for the Top Ten (and by extension the all stars and the tour)?Melanie kept making stupid facial expressions and seemed a bit uncomfortable. There is one lift at the end that looks like a mistake but they don’t let it phase them. Alexander, this is what I have been hoping for all season. The most disappointing part of this is that they used the Broadway version of “Out Tonight” instead of the movie version. Ryan and Ricky get their chance for redemption with a cha-cha choreographed by Louie Van Amstel. Caitlynn and Mitchell‘s final routine together is a jazz routine choreographed by Travis Wall. Melanie and Marko‘s final dance is a contemporary piece by Dee Caspary. (I have confirmed my suspicions that Dee Caspary just does not smile because not a hint of pleasure here.) Judges say– Jesse: That was amazing. Mary: I’m going to be devastated when you two are separated. This week’s challenge is to sing “Hey Soul Sister” and to show off their dance ability.They dance the piece well enough but there’s nothing impressive about it.
Alex– I’ll always Love You, Whitney Houston Alex thinks his voice, story, and personality belong on the show. I’m not sure what his place would be on the show, unless he replaces Kurt once he graduates.
Marko looked like he may have stumbled a bit when getting up from a sitting position at one point. Judges say– Nigel: This is the most challenged you’ve been. Jesse: I didn’t care for it–happy opposite day–I loved it! Judges say– Jesse: I wasn’t sure you could top the “I’m Coming Home” routine but you did here. The song was a little muted which made the routine itself feel a bit less energetic than it should have. It seems a little unfair that they get two styles that rarely come across well onstage but if they can pull it off it could be a big coup. Caitlynn is a rock star who was in love with Mitchell and discovers that he is married. It started out action-packed by it sort of slowed down to much in the middle. This is about a couple slipping in and out of light. Our last performance of the night is Clarice and Jess, doing a jive by Tony Meredith and Melanie Lepatin. Hannah is anything but pleased but Mattheus is thrilled. For the group number, the kids will be rapping “Can’t Touch This” instead of singing which is a bit unfortunate.
That was tremendous in comparison to what you did in dress rehearsal (note that is not the same as saying it was simply tremendous). I don’t think Ryan quite managed the hip action (though her outfit helped disguise this fact). For any other couple this wouldn’t be great but this style suits Jess pretty well. Cameron has no rhythm and Samuel isn’t used to dancing when he performs, but the group (seemingly led by Alex) choreographs well. Maybe they’re hoping to replace Artie as resident rapper because he isn’t really a good rapper at all. Mc Kynleigh’s voice is anything but appropriate for a rap song.
Mary: You had the style in the first thirty seconds but then you lost it.
Caitlynn and Mitchell get a hip hop routine by Christopher Scott about the children who are forced to fight in a war.
Unfortunately, the concept didn’t really come across and they were not in sync. Judges say– Sonyah: I love Chris Scott and I love you, but there was a lack of clarity and unison that kept me from connecting. Mary: I was drawn to what you were doing, you’re so talented even if it wasn’t in unison. Melanie and Marko find themselves with a tango choreographed by Louie Van Amstel.